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Saturday, March 11, 2023

Tickets starting at $80

Internationally acclaimed chamber orchestra Academy of St Martin in the Fields returns to Los Angeles with “explosively charismatic” (The New York Times) superstar mandolinist Avi Avital. The Academy has become a BroadStage favorite for their unrivaled live performances. Together, their fresh interpretations of the world’s greatest orchestral music, including Bach’s Violin Concerto No. 1, arranged for solo mandolin by Avital, promise to deliver an unforgettable evening of classics.

Program

Michael Tippett Fantasia Concertante on a theme of Corelli (Omaggio a Italia)

Avner Dorman Mandolin Concerto

        1. Adagio religioso - Allegro - Andante - Presto - Adagio – Andante
        2. Allegro
        3. Meno mosso - Adagio

Intermission

Johann Sebastian Bach arr. Avital Violin Concerto No. 1 in A Minor, BWV 1041

        1. Allegro moderato
        2. Andante
        3. Allegro assai

William Walton Sonata for Strings

        1. Allegro
        2. Presto
        3. Lento
        4. Allegro Molto

This program will run approximately 100 minutes, including one intermission.

“They play with a sharp attack, a rhythmic punch and a new joy in living.”

– The Times

The Academy of St Martin in the Fields is one of the world’s finest chamber orchestras, renowned for fresh, brilliant interpretations of the world’s greatest orchestral music.

Formed by Sir Neville Marriner in 1958 from a group of leading London musicians, the Academy gave its first performance in its namesake church in November 1959. Through unrivalled live performances and a vast recording output – highlights of which include the 1969 best-seller Vivaldi’s Four Seasons and the soundtrack to the Oscar-winning film Amadeus – the Academy quickly gained an enviable international reputation for its distinctive, polished and refined sound. With over 500 releases in a much-vaunted discography and a comprehensive international touring programme, the name and sound of the Academy is known and loved by classical audiences throughout the world.

Today the Academy is led by Music Director and virtuoso violinist Joshua Bell, retaining the collegiate spirit and flexibility of the original small, conductor-less ensemble which has become an Academy hallmark. Under Bell’s direction, and with the support of Leader/Director Tomo Keller and Principal Guest Conductor Murray Perahia, the Academy continues to push the boundaries of play-directed performance to new heights, presenting symphonic repertoire and chamber music on a grand scale at prestigious venues around the globe.

When COVID-19 sparked lockdowns across the globe, the Academy responded by establishing a digital campaign to fund the production of new performance videos as well as launching a new concert series at its spiritual home of St Martin-in-the-Fields in London’s Trafalgar Square. The series – the first of its kind in the orchestra’s home city for many years – saw the Academy collaborate with international artists on concert programmes devised by members of the orchestra.

In June 2022 on Sky Arts UK, the Academy presented A London Dream, a celebration of Mendelssohn’s exquisite interpretation of Shakespeare’s well-loved comedy A Midsummer Night’s Dream, conducted by Ryan Wigglesworth. A London Dream celebrates and champions music and musicians, placing them at the centre of the production, driving the pulse of the narrative, observing, and punctuating key moments with intimate cameos. The film is available on Sky on demand for subscribers, and will be repeated throughout the year. Please visit www.asmf.org/alondondream for the most up to date screening information.

The 2022/23 season will see the Academy continue to frequently appear at London’s St Martin-in-the-Fields, including joining forces with St Martin’s Voices for Christmas and Easter and an Autumn performance of Mozart Requiem and apperences with Johannes Moser and Avi Avital. Internationally, the Autumn/Winter 2022 Season started with a tour of South America and Italy with Joshua Bell, then joining pianist Jan Lisiecki in Helsinki in September. The Academy Chamber String Ensemble returned to the USA for a 10 date Autumn Tour after a performance 4th October at St Martin-in-the-Fields. The Academy concludes a European Tour with Joshua Bell with a performance at Southbank’s Queen Elizabeth Hall, 26th January 2023.

The first mandolin soloist to be nominated for a classical Grammy, Avi Avital has been compared to Andres Segovia for his championship of his instrument and to Jascha Heifitz for his incredible virtuosity. Passionate and “explosively charismatic” (New York Times) in live performance, he is a driving force behind the reinvigoration of the mandolin repertory.

He has commissioned over 100 works for the mandolin including concertos for mandolin and orchestra by Anna Clyne, Jennifer Higdon, Avner Dorman, David Bruce and Giovanni Sollima which he has performed with orchestras and conductors such as the Munich Philharmonic with Krzysztof Urbański, Atlanta Symphony Orchestra and Robert Spano, Orchestra Sinfonica Nazionale della RAI and Ryan Bancroft and the BBC Symphony Orchestra under the baton of Daniele Rustioni.

Highlights of the 2022/23 season see performances of the Mandolin Concertos by Jennifer Higdon, Anna Clyne and Giovanni Sollima commissioned for Avital, alongside tours with the Academy of Sat Martin in the Fields, Il Giardino Armonico with Giovanni Antonini, B’Rock and Arcangelo, duo recitals with Ksenija Sidorova (accordion), Olga Pashchenko (harpsichord/fortepiano) and Omer Klein (piano), and a tour of Australia with cellist Giovanni Sollima. Avital launches his new venture, the “Between Worlds Ensemble” with a three-part residency at the Boulez Saal in Berlin. The ensemble was formed to explore different genres, cultures and musical worlds focusing on different geographical regions and in its first year will feature traditional, classical and folk music from the Iberian Peninsula, Black Sea and Italy.

Avi Avital collaborates with musicians across many genres including Mahan Esfahani, Kristian Bezuidenhout, Alice Sara Ott, Andreas Scholl, the Dover Quartet, the Danish String Quartet, Brooklyn Rider, Omer Klein, Omer Avital, actress Martina Gedeck and Georgian puppet theatre Budrugana Gagra. His versatility has led to features as “Portrait Artist” at the Schleswig-Holstein Music Festival, BOZAR in Brussels and the Dortmund Konzerthaus (Zeitinsel). He is a regular presence at major festivals such as Aspen, Salzburg, Tanglewood, Spoleto, Ravenna, MISA Shanghai, Cheltenham, Verbier and Tsinandali.

An exclusive Deutsche Grammophon artist, his sixth album for the label “The Art of the Mandolin” has been received with high praise and top reviews in The Times, Independent, Gramophone, BBC Music Magazine as well as the international press. Previous recordings “Bach” (2019), “Avital meets Avital” (2017), “Vivaldi” (2015), an album of Avital’s own transcriptions of Bach concertos (2012) and “Between Worlds” (2014) also received numerous awards.

Born in Be’er Sheva in southern Israel, Avital began learning the mandolin at the age of eight and soon joined the flourishing mandolin youth orchestra founded and directed by his charismatic teacher, Russian-born violinist Simcha Nathanson. He studied at the Jerusalem Music Academy and the Conservatorio Cesare Pollini in Padua with Ugo Orlandi. Winner of Israel’s prestigious Aviv Competitions in 2007, Avital is the first mandolinist in the history of the competition to be so honoured. He plays on a mandolin made by Israeli luthier Arik Kerman.

Exclusive Patron Sponsor

Lloyd E. Rigler—Lawrence E. Deutsch Foundation

Classical Series Sponsor

Colburn Foundation